A Pitch Wars Success Story with Rebecca Schaeffer and her mentors Stacey Trombley and Rebecca Sky
Mar29

A Pitch Wars Success Story with Rebecca Schaeffer and her mentors Stacey Trombley and Rebecca Sky

  When our mentees land an agent or a publishing deal, it’s one of the highlights of being part of Pitch Wars. We’re so excited for Rebecca Schaeffer and her mentors, Stacey Tombley and Rebecca Sky. Rebecca signed with Suzie Townsend with New Leaf Literary & Media, Inc. after Pitch Wars 2016, and we couldn’t be happier for her! Please, help me in congratulating Rebecca, Stacey, and Rebecca Sky on their Pitch Wars Success! Rebecca, what was it about Rebecca Sky and Stacey Trombley that made you choose to send them a Pitch Wars application? Pretty much everything. They were looking for dark, morally ambiguous anti-hero protagonists, which I most definitely had. Their list of favorite books was full of books I loved, so I knew we had similar tastes. And their strengths and the way they edited seemed like a really good fit for me, and covered all the things I wanted. Basically, they were perfect. Rebecca & Stacey, what was it about Mentee Rebecca Schaeffer’s Not Even Bones (formerly Queen of Parts) that hooked you? Rebecca Sky: Right away I was intrigued by the concept and I was hoping the pages held up. Which they did, actually they were better than I’d hoped. Rebecca has a killer dark atmospheric voice. During Pitch Wars, Stacey and I would message each other as new submissions came in and we’d talk about if we loved or liked it, and which folder to put it in (Not for us, Maybe, Strong, and LOVE). We messaged each other right away and were like, “Have you read the new entry? It’s amazing.” So we kinda both had that, this is the one feeling. Stacey: the concept of her book drew us in first—with a tad bit of hesitancy, Ha! I remember when Rebecca first messaged me about this new submission and if I was okay with a bit of gore. I was like, uuuhhh, I don’t know. But, no, guys I was. I was okay with gore with the right story. We both love the out there creepiness, the anti-hero aspect and it’s done so well we just couldn’t say no! Rebecca, tell us about the revision process for Pitch Wars? I got my edit letter shortly after my selection was announced. It was six pages long, mostly full of structural changes. The comments were spot on. There was a section in the second act climax that had been seriously bugging me, and I couldn’t put my finger on it, and they nailed it. I ended up expanding the second act climax about 5k, moving a twist to a little later in the story, and shifting and...

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